Is this an easy A?
HardWork
35/100Students must write scripts, produce shorts, and work hard in groups; grades are earned only with dedication and are often at risk from group failure.
; no online reviews available.
FILM192 · VIDEOMARKETING · SCREENWRITING · FILM280 · FILM192240 · FILM · FILM240 · FILM1 · 25 lifetime ratings
The decision
Key questions
Is this an easy A?
Students must write scripts, produce shorts, and work hard in groups; grades are earned only with dedication and are often at risk from group failure.
All evidence is from in-person reviews; no online reviews available.
Is the course easy?
Course content is demanding screenwriting and production work with high difficulty ratings and complex techniques.
All evidence is from in-person reviews; no online reviews available.
Is attendance flexible?
Multiple reviews mark attendance mandatory and note good attendance matters for passing.
All evidence is from in-person reviews; no online reviews available.
Is this professor recommended?
Would-take-again is very low and many recent students say avoid, despite older passionate fans of his craft teaching.
All evidence is from in-person reviews; no online reviews available.
Course guide
Grading
Strict
30/100
Tagged tough grader with group-based penalties and no patience for excuses; students say grades hinge on hard work and team reliability.
Format shift
All evidence is from in-person reviews.
Workload
Heavy
25/100
Students write multiple scripts, produce shorts, and report a lot of work plus high production costs.
Format shift
All evidence is from in-person reviews.
Teaching experience
Average
52/100
many call him a master screenwriting teacher while others say lectures are angry, unclear, and disrespectful.
Format shift
All evidence is from in-person reviews.
Assessment method
FocusOnAssignments
30/100
Grades center on scripts, group films, and projects, with only a short written exam mentioned in some reviews.
Format shift
All evidence is from in-person reviews.
Luni fit check
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Course format
Classroom format
High confidence · Best fit for Hardcore Learner
In-person film and screenwriting classes are intense, project-heavy, and deeply split between life-changing craft training and harsh negative classroom experiences.
Main concern
Short temper, unclear production guidance, group-grade risk, and expensive projects.
What students said
“Riggins was one of the best film teachers I've ever had.”
“I learned nothing about screenwriting or film production.”
“Projects are VERY costly (THOUSANDS).”
Remote format
Low confidence
No stored summary is available for this format.
Main concern
No main concern is stored for this format.
Exam style
Some reviews mention a short 15-question final, but grading is driven mainly by scripts and production projects.
Assessment risk
Standard
55/100
Low score means less forgiving assessment conditions.
In-person FILM240 often includes two scripts, film production, and a short 15-question written exam; proctoring details are not clearly stated.
“You're expected to write 2 scripts, produce 2 shorts, there is a 15-question written exam.”
“Short 15 question final at the end.”
Student evidence
Top student voice
“Take this class "at your own risk".”
“Hands down the best scriptwriting I ever had”
“I would not recommend this instructor.”
“this class is A LOT of work and costs A LOT of money!”
“Riggins has a short temper and lacks communication skills.”
Theme 1
Theme 2
Theme 3
Data context
Analysis sample
25
Recent reviews read by the AI
25
Lifetime ratings
82/100
Evidence confidence
Twenty-five reviews span many years with detailed, consistent themes on projects, temper, and polarizing craft teaching.
Inside 25 stored ratings
Reported outcomes
3 reported outcomes
A+ 1 · A 1
B 1
No reported values
No reported values
No reported values
No reported values